Villages (3)
Visit the linen-weaving village of Lung Tam - Ha Giang province
Written by Asia Pacific Travel Team
The hospitality of ethnic minority children and adults warms visitors who put on three or four jackets and traverse hundreds of kilometers of winding roads and in cold weather to the village. There, they are welcomed by friendly smiles and greetings of locals, particularly lasses.
What surprises visitors to the village is that the Mong women do not need to wear shawls and jackets in such a harsh weather, as their clothes made of linen help keep them warm from the bitter cold in the mountainous region.
“Linen is like an air conditioner as it cools our body in summer and keeps us warm in winter,” a Mong lass says.
She furthers that is why the Mong people have chosen brocade linen as the main material for dresses for many generations and preserved the tradition of weaving this cloth until on January 19.
It takes some 41 steps to weave a piece of cloth. In brief, people have to dry the flax, take out the fiber, crush and boil it in ash and wax water before threading yarn on a loom. A finished cloth needs to be washed for about ten times and rubbed with beeswax until it becomes smooth and silky.
Local women are not only good at weaving but also master in textile dyeing with a unique technique and skills hardly seen in other parts of the country.
The brocade craft tradition at Lung Tam Village used to be on the verge of extinction when the mass production of clothes with much cheaper prices from China flooded the local market. But it has been restored since 2001 and provided job for more than 120 people.
Local women now can diversify their brocade products and make not only dresses but also shirts, skirts, iPad and pillow covers and tablecloth.
With eco-friendly material, unique patterns and colors, the artwork of Lung Tam artists are preferred by foreign tourists, especially Japanese and European visitors.
Experience in a hamlet in Mekong Delta
Written by Asia Pacific Travel Team
FEW FOREIGNERS CARE TO VENTURE OUT TO WHERE THE ROADS NARROW TO NOTHING AND LIFE TAKES ON A COMPLETELY DIFFERENT HUE
The majority of Vietnam’s expatriate community live in one of the country’s three largest cities – Hanoi, HCMC, or Danang. They are generally only rarely exposed to the smaller villages that lie in between, where the roads are often shoddily paved, there are no indoor dining venues, and ear-splittingly loud traditional music blares distortedly from roadside “cafes”. Many may think these villages are as backwards and “small-town” as civilized Vietnam gets, but there is a whole world of rural life that often passes under the radar of expats: the giant network of hamlets, extremely small and secluded communes that make up a large part of Vietnam’s countryside and account for a huge percentage of the Vietnamese provincial community.
I had a chance to experience one of the communities firsthand several weeks ago. I was visiting my friend, Thanh, in the small town of Hoa An in the Mekong Delta’s An Giang province. This morning I visited happened to fall on the same day as Thanh’s friend’s birthday celebration, and she asked me if I wanted to accompany her to the party. Her friend, she told me, lives in the small hamlet of Xeo Tram, which is technically part of the village but which is secluded from the larger community.
We set out from Thanh’s house that afternoon on a motorbike, we waved through the greenery-lined streets of Hoa An. The road in centre of the village was bumpy and full of potholes, but as we rode further out the concrete became even worse. Eventually the road ceased to be paved at all, and we were riding on a dusty ad, oftentimes, muddy trail. After several more minutes we reached the entrance to the hamlet. One could easily tell where the hamlet actually began because the two-way dirt road we had been driving on turned into a clay path only wide enough for two people and barely two motorbikes, but certainly not a car.
As we rode slowly along, squeezing past a group of little girls on bicycles, I could not help but admire the hamlet’s quaint and bucolic beauty, although Xeo Tram is one of the poorer hamlets in Vietnam. On either side of the path the sun beat down on the dry scrubland the hamlet was built on, and obviously impoverished thatched roof houses lay on either side of the path every 15 metres or so. Small fenced-in areas containing pigs, chickens, and other livestock jutted out from behind many of the houses.
There were no stands selling cigarettes or small food items like those that little footpaths of many towns in Vietnam, nor were there any inns or other businesses of any kind; the hamlet was purely residential. It seemed that the only form of entertainment for the residents of the hamlet was socializing with neighbours, an idea confirmed by the fact that many of the shaded concrete areas in front of the houses were filled by groups of three to ten people. They were sitting on the ground or lounging in hammocks, laughing and taking in spirited Vietnamese while sipping iced tea. Thanh told me many of the people had rarely left the hamlet and very likely have seen a foreigner before, which explained why I was started at intently by every eye we passed.
The path split off into any avenues, which I guessed would be home to more of the same I had observed on the hamlet’s main street. The hamlet was small – I would later find out it contained only 252 people – and we reached our destination very quickly. Like we had seen in front of some of the other houses in the hamlet, the gathering was a casual affair. Because it was somewhat of a special occasion, there were several plastic tables set out, and the attendees sat on the ground around the tables. Thanh and I took seat at one of the tables next to a slim middle-aged man with green-tinged teeth and piercingly black eyes who was wearing a matching T-shirt and slacks outfit reminiscent of a nurse’s scrubs. The other guests did not know any English – I think Thanh and I were the only ones within a three mile radius who did – but after the initial awkwardnessof not being able to communicate with anyone but Thanh wore off I began to greatly enjoy the laid-back and neighbourly atmosphere of the party.
I was fascinated by the secluded and isolated nature of the hamlet, and I asked the man – with help of Thanh’s translation – how, if at all, the town kept in touch with current events and other news from outside the world. He told me that, although the hamlet does not have access to the internet, it receives newspaper, which are regularly distributed and contain valuable information that keeps the people of the hamlet informed. Families, who usually own televisions, also have access to several news stations.
The news channels available include for dedicated to international broadcast corporations, such as CNN, and 52 regional stations, which are more localised and only available in the provinces they are produced in. In many more developed areas, where people have access to a huge amount of news sources, the news is often ignored. To make sure this same phenomenon does not occur among the citizens of the hamlet, it employs someone to, once a day, walk around the paths of the hamlet with a loudspeaker and “broadcast” the news.
A loudspeaker that literally blares the news into residents’s homes is a method of news delivery that people cannot simple ignore. It is direct method of news delivery rather than a passive method such as a newspaper or even TV news, so it is a good way to ensure that all of the hamlet’s citizens have at least some worldly awareness. I was touched by this sentiment because, along with the other things I had observed in the hamlet that day, it reinforced the idea that the hamlet’s hamlet’s citizens take care of each other and their well-being. Unlike a typical Western society, in which there is a thin veneer of communal spirit covering the true impetus for most public action – looking out for Number 1 – the hamlet’s community seemed to be genuinely symbiotic.
My experience at the hamlet was strange, to be sure. I felt like an outsider because I was the onle Caucasian around and the only one who could not speak the common language. It was also an extremely enlightening experience. I had seen a side of Vietnam I, and many other expats, am not often exposed to, and I had been enchanted by the quaint and rustic beauty of the hamlet and its citizen’s mindset that money is not needed to create a functional and loving community.
The Guide
Built in 1470 under the reign of King Le Thanh Tong, the village was recognized as a national relic by the Ministry of Culture, Sports and Tourism in 2009. Being associated with Hue’s royal music (nha nhac), the ancient village of Phuoc Tich has been recognized as part of the world’s intangible cultural heritage by the United Nations Educational, Scientific and Cultural Organization (UNESCO). Phuoc Tich Ancient Village is famous for the ancient architecture and design of its many old houses and temples.
More than 500 years of existence, through the wars and the devastation of nature, Phuoc Tich village still preserves the ancient beauty of a traditional Vietnamese village.
The village’s first name is “Phuc Giang”, expressing the desire a land near river with happiness and wealth. Under Tay Son era, “Phuc Giang” was changed into “Hoang Giang” to commemorate the family setting up the village. In the reign of Gia Long King, the village was renamed to Phuoc Tich, hoping to accumulate happiness and virtue.
One of special stop to visit at Phuoc Tich may be Cay Thi Temple, which is about 700 years old. The temple preserves harmonizing features of Vietnamese and Cham architecture, with linga and yoni ruins.
Being well-known nationwide for the craft of making pottery, the beauty of Phuoc Tich pottery products is solid, sleek and sophisticated.
The goods have a dark red colour of baked clay, which have been used mainly by Hue families. Some pottery wares of Phuoc Tich Village were used by kings in the Nguyen Dynasty.Between 1989 and 1995, the pottery craft of Phuoc Tich seemed to come to a standstill.
The ancient “ruong” houses, where preserve and display antiquities of Phuoc Tich create the unique Phuoc Tich.
Another unique trait of Phuoc Tich is the structure of “community house”. The houses were built with a typical architectural style of three compartments and two lean-tos, an ancient gate, two rows of green tea bushes and a brick-covered courtyard, most of which remain undamaged despite having gone through so many wars throughout the years.
